James the Fang and Serious Sam Barrett return to Barnsley folk club on Wednesday 20th September at the Trades Club Barnsley 8 30pm suggested collection contribution £5.
These guys really buck the system and turn the clock back to perform music that’s real and spare. Their music is durable and pure.
On their latest Album The Dime Horse Shoe the boys nail their hearts to the mast and let ‘er go. Fiddle playing vocalist James (from the USA and 12-string guitarist, banjo player and vocalist ‘Serious’ Sam Barrett (Leeds but Born in Barnsley) hit the road running. The exquisite fiddle work and varied little riffs from James are most elegant. James is an immense talent, and with Sam’s deep affinity and love of the old stuff nothing is left to chance as the boys reproduce an honest and pure down home back porch sound.
Don’t miss this one there’s nowt else like it and its one to remember!
Tom’s written this review for us – If you’d like to join him in being one of our guest bloggers, please send ideas / copy to email@example.com
Wizz Jones Gig
Barnsley Folk Club, for its first concert at “The Old School House”, scored a winner. The place is welcoming (once you can find the entrance) and the room was pleasantly set out in cabaret style. The event was sold out and extra chairs were hastily found and added to fit in 50 people. There were enjoyable support acts by Zoe and Dave Bottomley, and Richard Kitson that complemented the main event. Though I wish performers wouldn’t apologise for lack of rehearsal. Marcus did a great job with the sound and lighting.
Somehow in 45 years of folk clubs I have managed not to hear Wizz Jones play. I enjoyed every moment of his being on stage, even the frequent changes of guitar tuning and the PA adjustments. He was just being himself, frank, funny and supremely talented. Some people have such mastery of their instrument that they make it look easy. Not so Wizz, whose left arm seems to wrestle with the guitar whilst with the right he hews notes out of the air. Stooping over the strings he manipulates the neck to shape the notes, so that I wonder how long the battered Epiphone will stay in one piece. There is a bluesy inflection to most of his music. Starting with Henry Hipkens’ “That’s how I learned to sing the blues” and ending with his own ‘hit’ “Leaving Berlin” he kept a respectful audience, including some local legends, spellbound with his playing and singing. Each song felt like a gift that had matured over the years into a rare treasure.
I look forward to more gigs of this calibre at the Old School House although if word gets out that the music is this good, the club might need more seats.